Copyright is a form of legal protection that allows authors and other creators to control their original, creative work. The work must be "fixed in a tangible medium of expression" - written on a piece of paper, saved on a computer hard drive, or recorded on an audio or video tape. In general, copyright holders have the exclusive right to do, and to authorize others to do, the following:
Copyright protects literary, musical, dramatic, choreographic, pictorial, graphic, sculptural, audiovisual, and architectural works.
Copyright occurs automatically at the creation of a new work. You do not have to provide a copyright notice on your work to receive copyright protection. However, if you are making your work publicly available, it's a very good idea to include a copyright information, along with your contact information, so that people who want to re-use your work will be able to get in touch with you. A good copyright notice might look something like: "© 2008 J. Doe. For permissions and questions contact firstname.lastname@example.org."
For course content please see the Protecting Your Course Content section below.
For works created since March 1, 1989, copyright lasts from the moment a work is created until 70 years after the death of the author, except for works produced by a company/employer in which case the copyright lasts 120 years from the date of creation. Works created before this date can have various copyright protection. The Digital Copyright Slider can be used to help define how long the protection of an item may last.
The creator usually is the initial copyright holder. If two or more people jointly create a work, they are joint holders of the copyright, with equal rights. Note that this may differ from common academic conduct and expectations, where the lead author may be considered more important than the others.
If a work is created as a part of a person's employment, that work is a "work for hire" and the copyright belongs to the employer, unless the employer explicitly grants rights to the employee in a signed agreement. Faculty writings (including "textbooks, scholarly monographs, trade publications, maps, charts, articles in popular magazines and newspapers, novels, nonfiction works, supporting materials, artistic works, syllabi, lecture notes, and like works") at K-State are not treated as "work for hire"; visit the Intellectual Property Policy, Appendix R of the K-State University Handbook for more information. In the case of work by independent contractors or freelancers, the copyright belongs to the contractor or freelancer unless otherwise negotiated beforehand, and agreed to in writing.
It is possible to transfer a copyright; this frequently happens as a part of publishing agreements. In many cases, the publisher holds the copyright to a work, and not the author. A valid copyright transfer requires a signed written agreement.
The United States Copyright Office is the number one authority on copyright in the US. Please refer to their documentation and instructions if you have additional questions about their website or information. Current copyright law can be found at http://copyright.gov/title17/.
§ 102 . Subject matter of copyright: In general 28
(a) Copyright protection subsists, in accordance with this title, in original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device. Works of authorship include the following categories:
(1) literary works;
(2) musical works, including any accompanying words;
(3) dramatic works, including any accompanying music;
(4) pantomimes and choreographic works;
(5) pictorial, graphic, and sculptural works;
(6) motion pictures and other audiovisual works;
(7) sound recordings; and
(8) architectural works.
(b) In no case does copyright protection for an original work of authorship extend to any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work.
Subject to sections 107 through 122, the owner of copyright under this title has the exclusive rights to do and to authorize any of the following:
(1) to reproduce the copyrighted work in copies or phonorecords;
(2) to prepare derivative works based upon the copyrighted work;
(3) to distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease, or lending;
(4) in the case of literary, musical, dramatic, and choreographic works, pantomimes, and motion pictures and other audiovisual works, to perform the copyrighted work publicly;
(5) in the case of literary, musical, dramatic, and choreographic works, pantomimes, and pictorial, graphic, or sculptural works, including the individual images of a motion picture or other audiovisual work, to display the copyrighted work publicly; and
(6) in the case of sound recordings, to perform the copyrighted work publicly by means of a digital audio transmission.
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include—
(1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
(2) the nature of the copyrighted work;
(3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
(4) the effect of the use upon the potential market for or value of the copyrighted work.
The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.§ 110 . Limitations on exclusive rights: Exemption of certain performances and displays 43
Notwithstanding the provisions of section 106, the following are not infringements of copyright:
(1) performance or display of a work by instructors or pupils in the course of face-to-face teaching activities of a nonprofit educational institution, in a classroom or similar place devoted to instruction, unless, in the case of a motion picture or other audiovisual work, the performance, or the display of individual images, is given by means of a copy that was not lawfully made under this title, and that the person responsible for the performance knew or had reason to believe was not lawfully made;Technology, Education and Copyright Harmonization Act § 110(2) 43
(2) except with respect to a work produced or marketed primarily for performance or display as part of mediated instructional activities transmitted via digital networks, or a performance or display that is given by means of a copy or phonorecord that is not lawfully made and acquired under this title, and the transmitting government body or accredited nonprofit educational institution knew or had reason to believe was not lawfully made and acquired, the performance of a nondramatic literary or musical work or reasonable and limited portions of any other work, or display of a work in an amount comparable to that which is typically displayed in the course of a live classroom session, by or in the course of a transmission, if—
(A) the performance or display is made by, at the direction of, or under the actual supervision of an instructor as an integral part of a class session offered as a regular part of the systematic mediated instructional activities of a governmental body or an accredited nonprofit educational institution;
(B) the performance or display is directly related and of material assistance to the teaching content of the transmission;
(C) the transmission is made solely for, and, to the extent technologically feasible, the reception of such transmission is limited to—
(i) students officially enrolled in the course for which the transmission is made; or
(ii) officers or employees of governmental bodies as a part of their official duties or employment; and
(D) the transmitting body or institution—
(i) institutes policies regarding copyright, provides informational materials to faculty, students, and relevant staff members that accurately describe, and promote compliance with, the laws of the United States relating to copyright, and provides notice to students that materials used in connection with the course may be subject to copyright protection; and
(ii) in the case of digital transmissions—
(I) applies technological measures that reasonably prevent—
(aa) retention of the work in accessible form by recipients of the transmission from the transmitting body or institution for longer than the class session; and
(bb) unauthorized further dissemination of the work in accessible form by such recipients to others; and
(II) does not engage in conduct that could reasonably be expected to interfere with technological measures used by copyright owners to prevent such retention or unauthorized further dissemination;
Instructors often wish to use media, such as films and music, in the classroom. There is often conflicting information for instructors about what they can and cannot use, and what they must do in order to utilize such works in their instruction.
Section 110 (1) of U.S. copyright law states that "performance or display of a work by instructors or pupils in the course of face-to-face teaching activities of a nonprofit educational institution" is not an infringement of copyright. This section allows instructors to use films, music, artwork, poetry, prose, and other copyrighted materials in part or in their entirety, if the amount used is necessary to meet the educational objectives of the course. The copies used must be lawfully made and obtained.
While the law specifically refers to face-to-face classes, a secure online classroom that only officially enrolled students have access to, such as through K-State Online, is comparable to face-to-face teaching and use of copyrighted works in that teaching format should be evaluated under the same standard. Care should be used to limit the use of the clip to view-only and only for the duration necessary for teaching purposes.
Kansas State University requires compliance with copyright law and, when appropriate, supports the exercise in good faith of full fair use rights by faculty, staff, and students. Specifically, Kansas State University:
If you are using library-licensed materials for an online course, such as on Canvas, you should consider providing permalinks to the materials rather than including them in Canvas for students to download directly; this is beneficial for two reasons:
Need help with permalinks? Check out the Permalinks for Electronic and Physical Resources or use LinkIt to create an accessible link. For information about permalinks, check out Linking to Online Resources: Using Permalinks.
As an author, you are encouraged to take an active role in managing your copyrights. As the original copyright holder you have the right to reproduce the work, prepare derivative works, distribute copies, and perform and display the work publicly. However, many authors traditionally have transferred some or all of these rights to a commercial publisher in order to publish a journal article or book chapter. Before working with a publisher, it’s important to think about any rights you may need in the future. Read and understand the publisher’s agreement before signing. Know what rights it allows you to retain. There are 3 basic options when dealing with publishers:
Transfer copyright but negotiate some or all of the rights with the publisher.
Course content can be covered by copyright. It is important that this content be placed in a tangible format. Please note that faculty at K-State are the copyright owners of their course content. It is highly recommended that you include the following statement within your course syllabus (Be sure to update the year and include your name):
Statement for Copyright Notification
Copyright 20xx ([your name here]) as to this syllabus and all lectures. During this course students are prohibited from selling notes to or being paid for taking notes by any person or commercial firm without the express written permission of the professor teaching this course.
You may wish to verbally draw attention on the first day of classes to any such statements that you include in your syllabus. In addition to giving the notice of copyright, you should take steps to assure that your lectures and any other material you wish to protect are fixed in a tangible medium of expression and hence protected under the copyright laws. For this purpose, you can make detailed lecture notes, use detailed overheads, slides or online presentation slides, or record your lectures. These steps will strengthen your right to claim copyright in your lectures and will notify students of restrictions on their use. If you have lecture notes posted on a website, you may wish to apply a copyright notice as well. You can simply add the following information to your website: Copyright 20xx (your name here).
Because you are the copyright holder it is important for you to be active in protecting your content. Sites will use the university name and information to solicit students to post information on your course. You should warn students that posting your content is not allowed and could be a violation of the Student Code of Conduct, Article VI Section 3.A.21. The procedure for this process is available within the Student Government Association Bylaws, http://www.k-state.edu/sga/old_files/bylaws.html. If you have taken active steps to protect your course content, upon request, the university may send a "cease and desist" letter to any company soliciting students to violate our Student Code of Conduct. As the holder of the copyright you also have the right to seek legal representation and pursue litigation. If you decide to take this step you may consider registering your copyright.
Copyright protection is automatic and begins the moment the work is placed into a tangible form. A work does not need to be registered to be protected by copyright law. If copyright is automatic and processing can take over one year you may ask why one would want to register for copyright. Copyright registration can give you additional benefits like:
Schedule of fees available at: http://copyright.gov/docs/fees.html.
You may register a work at any time while it is still in copyright. Registering is not difficult and can be done online. Visit the United States Copyright Office website for instructions and forms.
The use of a Creative Commons license allows you to grant permission up front. This allows others to use your work in ways that you specify. You can also decide to submit your content directly into the public domain.
Often, there are multiple versions of the same name (e.g. E.M. Smith, Elaine M. Smith, E. Smith) in databases, such as Scopus and Web of Science, and on Google Scholar. As a result, impact metrics, such as citation counts, can be inaccurate and either account for too many or too few within a single database. An advantageous step to take towards preventing author disambiguation is to sign up for an ORCID. To learn more, please visit the Scholarly Communications page.
K-State Intellectual Property Policy - This document describes Kansas State University's policies and associated institutional procedures for intellectual property.
Kansas Board of Regents Policy & Procedures Manual - Intellectual Property Policy.
Illegal File Sharing at K-State - Sharing and downloading copyrighted music, movies, and games from the Internet without proper authorization is considered piracy-a violation of federal copyright laws and K-State policy.
K-State Peer-to-Peer (P2P) File Sharing Policy - The purpose of this policy is to articulate Kansas State University's position on the use of Peer-to-Peer file sharing applications and the unauthorized acquisition or distribution of copyrighted or licensed material.
K-State Course Syllabi Copyright Statement - These Course Syllabi statements are provided by the Office of the Provost and Senior Vice President. The Copyright Statement can be found under "Optional Syllabi Statements".
Showing Films at K-State - Guidelines for student organizations wanting to show films publicly on campus.
Policy on the Use of Copyrighted Works in Education and Research - Policy setting forth K-State's position on the use of copyrighted works in education and research, meeting the requirements of the Technology, Education, and Copyright Harmonization ("TEACH") Act of 2002's safe harbor provision.
Using Media in the Classroom - Instructors often wish to use media, such as films and music, in the classroom. This guide provides more information on using media in the classroom.
U.S.Copyright Office - The site where you can register your copyrights, renew copyrights, search copyright records, and learn more about copyright law.
Creative Commons - A non-profit organization that works to increase the amount of scholarly works (cultural, educational, and scientific content) in "the commons" — the body of work that is available to the public for free and legal sharing, use, repurposing, and remixing.
Science Commons - A Creative Commons project "meant to lift legal and technical barriers to research and discovery".
Copyright Genie The Copyright Genie will walk you through the steps to determine if a work is in copyright and, if it is, when it will enter the public domain.
Digital Copyright Slider From the ALA Office for Information Technology Policy, a visual and interactive way to figure out if something is under copyright.
Fair Use Evaluator This tool helps you make a fair use evaluation and provides a PDF document of your evaluation for your records.
Interactive Guide to Using Copyrighted Media in Your Courses This interactive guide from Baruch College at the City University of New York helps faculty determine the appropriate guidelines to follow for using different types of media in face-to-face classes and online classes.
Copyright Renewals Database This is a database of copyright renewal records for US Class A (book) renewals received by the US Copyright Office between 1950 and 1992 for books published in the US between 1923 and 1963.
Copyright Term Calculator Use information on hand to determine whether or not a specific work is in the public domain. This calculator takes into account the potential restoration of copyright for items published outside of the U.S. due to Uruguay Round Agreements Act.
Catalog of Copyright Entries These PDF files can be used to find copyright renewal records for items that aren’t US Class A (books) renewals. Note: Copyright renewal had to occur sometime during the 28th year, however sometimes the Library of Congress could be slow in publishing said renewals. To maximize the search, look for the renewal records from the 27th to the 29th year.
Exceptions for Instructors eTool Guide This tool helps you determine if your intended use meets the requirements set out in the law and provides a PDF document for your records.
TEACH Act at the Copyright Crash Course Introduction to and explanation of the TEACH Act and how it may facilitate use of copyrighted works in the classroom. This site also includes a checklist to determine if a work qualifies.
TEACH Act Toolkit From NC State University, this toolkit explains the TEACH Act and how works qualify, and provides three different checklists to determine if a work qualifies to be used under the TEACH Act.
Creative Commons License Tool Follow the steps to choose the appropriate Creative Commons license for your creative or scholarly work.
Section 108 Spinner Use this spinner/tool to find out if the reproduction of a work is permissible under Section 108: Limitations on exclusive rights: Reproduction by libraries and archives.
Copyright.gov Public Catalog (1978-Present) This database shows records of all copyright registrations for all works dating from January 1, 1978, to the present, as well as renewals and recorded documents.
Copyright.gov Copyright Records (Pre-1978) This ongoing project presents records of copyright ownership from the United States Copyright Office for the period from July 1891 through December 1977.