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								Bloomsbury in Context | 
					
						| January | 13 | Matthew Arnold, from Culture and Anarchy; Walter Pater, "Conclusion" to The Renaissance; Oscar Wilde, from "The Critic as Artist"; G.E. Moore, from Principia Ethica; Forster, from The Longest Journey [handouts] | 
					
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						|  | 20 | 
								Overview: Marler, "Introduction" to Bloomsbury Pie (CPII: 3-17); Rosenbaum, "Forward" & "Introduction" (CPI: ix-xv, 1); Virginia Woolf, "Old Bloomsbury" (CPII: 159-179)
								Ur-Bloomsbury at Cambridge & the Early Years in London: MacCarthy, "Bloomsbury, An Unfinished Memoir" & "The Influence of Henry James..." (CPI: 26-32); Keynes, "My Early Beliefs" (CPI: 48-64); Vanessa Bell, "Notes on Bloomsbury" (CPI: 73-84); Clive Bell, "Bloomsbury" (CPI: 84-92); Leonard Woolf, "Cambridge Friends and Influences" (CPI: 92-109) & "Old Bloomsbury" (CPI: 109-115)
								Leonard Woolf, "The Beginnings of the Hogarth Press" (CPI: 117-122); Mansfield, "Prelude" (CPII: 219-263); T.S. Eliot, "Preludes" (CPII: 22-24)
								Response Paper #1 Due (2 pages) on Mansfield's "Prelude"
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						|  | 27 | Forster, Howards End (3-201/Chps. 1-22); Garnett, "E.M. Forster" (CPI: 163-169); Forster, "What I Believe" (CPII: 165-172) | 
					
						| February | 3 | 
								Forster, Howards End (202-359/Chps.23-end); Marler, on Forster's Maurice from Bloomsbury Pie (CPII: 94-99)
								Response Paper #2 Due (2 pages)
								Leading Discussion: Schlegel, Wilcox, & Bast: Who Will Inherit England?
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						|  | 10 | 
								Strachey, "Preface," "Florence Nightingale," and "Dr Arnold" from Eminent Victorians (CPII: 9-11, 111-188)
								Sarah Stickney Ellis, from The Women of England (CPII: 1721-3); Coventry Patmore, from "The Angel in the House" (CPII: 1723-24); Harriet Martineau, from Autobiography (CPII: 1725-28); Woolf, "Professions for Women" (CPII: 2214-2218)						 | 
					
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								Private Visions: Art and Life in Bloomsbury | 
					
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								17							 | 
								Theory: Fry, "Introduction," "An Essay in Aesthetics," "The French Post-Impressionists," and "Retrospective" from Vision and Design (CPII: xi-xxv, 12-27, 166-170, 199-211 & notes)
								Practice: MacCarthy, "The Post-Impressionist Exhibition of 1910" (CPI: 68-73); Leonard Woolf, "The Second Post-Impressionist Exhibition" (CPI: 115-117); Quentin Bell, "A Cezanne in the Hedge" (CPII: 136-139) & "The Character of Bloomsbury" (CPI: 318-326)
								Presentation: Public Response to the Post-Impressionist Exhibitions
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								24
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								Virginia Woolf, "The Mark on the Wall" & "Kew Gardens" (CPII: 83-95, 297-88); "Mr Bennett and Mrs Brown" (CPII: 384-389) & "Modern Fiction" (CPII: 2148-2153)
								Paper #1 Due (5 pages)
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						| March | 
								3
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								Virginia Woolf, To the Lighthouse (1-143)
								Presentation: Woolf's Diaries, Vols. 2-3: Composition & Publication of To the Lighthouse
								Presentation: Woolf's Letters, Vols.3-4: Composition & Publication of To the Lighthouse
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								10
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								Virginia Woolf, To the Lighthouse (145-209)
								Response Paper #3 Due (2 pages)
								Presentation: The Original Holograph Draft: Composition & Publication of To the Lighthouse
								Leading Discussion: Part III of TTL
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								17
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								Virginia Woolf, The Waves (7-181); Woolf, "From 'A Sketch of the Past'" (CPII: 2218-2223)
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								24
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								Spring Break
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						|  | 31 | No class -- Rescheduled class session on Sunday, April 10 | 
					
						| April | 
								7
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								Virginia Woolf, The Waves (181-297)
								Response Paper #4 Due (2 pages)
								Presentation: Woolf's Diaries, Vols. 3-4: Composition & Publication of The Waves
								Presentation: Woolf's Letters, Vols. 3-4 : Composition & Publication of The Waves
								Presentation: Two Holograph Drafts: Composition & Publication of The Waves
								Leading Discussion: Open Topic on The Waves
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								Sun10
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								In class viewing of "The 1940s House" (7-10pm) and bulletin board response.
								Essay Review due in class (4-5 pages)					 | 
					
						|  | 14 | 
								Escapism or Engagement?: Forster, "The Ivory Tower" (CPII: 119-130); Woolf, "The Leaning Tower" (CPII: 128-154) & "Professions for Women" (CPII: 2214-2218)
								Bloomsbury Observed: Spender, "Bloomsbury in the Thirties" (CPI: 259-269); Brenan, "Bloomsbury in Spain" (CPI: 283, 289-295); Rosenbaum, "Introduction" (CPI: 329-331); Garnett, "D.H. Lawrence" (CPI: 361-370); introduction to "F.R. Leavis" (CPI: 387-389)
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						|  | 21 | 
								Virginia Woolf, Between the Acts (3-219); Fitzgerald, "The Last Artist" (CPII: 108-110)
								Response Paper #5 Due (2 pages)
								Presentation: Woolf's Diary, Vol.5: Composition of Between the Acts
								Presentation: Woolf's Letters, Vol.6: Composition of Between the Acts
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						|  | 28 | Bloomsbury Remembered & Repackaged: Leonard Woolf, "The Memoir Club" (CPI: 122-123); Marler, on the Bloomsbury Boom, 1980-1997 from Bloomsbury Pie (CPII: 263-284); Silver, from Virginia Woolf Icon (CPII: xv-xvii, 1-13, 28-31). Bring passage for Paper #2, thesis claim, and outline/preliminary draft to class. | 
					
						| May | M 2 | Paper #2 Due to my mailbox in ECS 119 by 5 p.m. | 
					
						|  | 5 | Cunningham, The Hours | 
					
						|  | 12 | Final Exam (IDs & essay): 7-8:50 p.m. | 
					
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