Professional Music Teaching Portfolio

Demonstration of Kansas Music Teacher Standards

1) Teaching 2) Improvisation 3) Composition 4) Performing 5) Analyzing Music
6) Evaluating Music 7) Historical/Cultural 8) Learning Environment 9) Advocate Music
Entry 2) Contextual Factors Entry 3) Teaching Unit Entry 4) Learning Environment Entry 5) Evaluations Entry 6) Logs

Entry #3 : Instructional Unit Plan
Part 1: Learning Goals and Objectives Part 2: Instructional Design Part 3: Integration Skills
Part 4: Assessment Procedures Part 5: Self-Evaluation of Instructional Unit

Part 1: Learning Goals and Objectives

State Content Standards and School Improvement Goals

1. Singing, alone and with others, a varied repertoire of music.
2. Performing on instruments, alone and with others, a varied repertoire of music.
3. Improvising melodies, variations, and accompaniments.
4. Composing and arranging music within specified guidelines.
5. Reading and notating music.
6. Listening to, analyzing, and describing music.
7. Evaluating music and music performances.
8. Understanding relationships between music, the other arts, and disciplines outside the arts.
9. Understanding music in relation to history and culture.

  State Standards, benchmarks and indicators related to this unit

 Standard 1:  Singing, alone and with others, a varied repertoire of music

Benchmark 2:  The student sings music written in four parts, with and without accompaniment

Benchmark 3:  The student demonstrates well-developed ensemble skills.

Standard 2:  Performing on instruments, alone and with others, a varied repertoire of music 

 Benchmark 2:  The student performs an appropriate part in an ensemble demonstrating well-developed ensemble skills.

Standard 3:  Improvising melodies, variations, and accompaniments                                                              

 Benchmark 2:  The student improvises rhythmic and melodic variations on given pentatonic melodies and melodies in major and minor key.

Standard 4:  Composing and arranging music within specified guidelines                                                       

 Benchmark 1:  The student composes music in several distinct styles, demonstrating creativity in using the elements of music for expressive effect.

Standard 5:  Reading and notating music                                                                                                           

 Benchmark 1:  The student demonstrates the ability to read an instrumental or vocal score of up to four staves by describing how the elements of music are used.

Standard 5:  Reading and notating music                                                                                                         

 Benchmark 2:  The student who participates in a choral or instrumental ensemble or class:  sight-reads, accurately and expressively, music with a level difficulty of 3 on a scale of 1 to 6.

Standard 6:  Listening to, analyzing, and describing music                                                                               

 Benchmark 1:  The student analyzes aural examples of a varied repertoire of music, representing diverse genres and cultures, by describing the uses of elements of music and expressive devices.

 Standard 7:  Evaluating music and music performed                                                                                          

 Benchmark 1:  The student evolves specific criteria for making informed, critical evaluations of the quality and effectiveness of performances, compositions, arrangements, and improvisations and applies the criteria in her/his personal participation in music.

Standard 8:  Understanding relationships between music, the other arts, and disciplines outside the arts        

 Benchmark 2:  The student compares characteristics of two or more arts, within a particular historical period or style, and cites examples from various cultures.

Standard 8:  Understanding relationships between music, the other arts, and disciplines outside the arts        

 Benchmark 3:  The student explains ways in which the principles and subject matter of various disciplines outside the arts interrelated with those of music.

Standard 9:  Understanding music in relation to history and culture                                                             

 Benchmark 1:  The student classifies, by genre or style and historical period or culture, unfamiliar but representative aural examples of music and explains the reasoning behind her/his classification.

School goals and standards are aligned with the Kansas Standards, however, they have created improvement goals for math and communicative arts areas related to music.
 Link to math & ca documents

Learning Goals and Objectives (What will students know and be able to do at the end of this unit?)

Goals:

The students will participate in activities exploring harmony, melody, rhythm, and form.

The students will illustrate proper phrasing and dynamics in contemporary music.

The students will perform the piece with understanding of the text and correct diction.

The students will investigate the historical significance of the piece, concerning the composer and poet.

The students will evaluate their own performance.

Objectives:

The students will complete a pre-test over the basic elements and background of the piece, “The Cloths of Heaven”.
The students will also solfege one voice line of  “The Cloths of Heaven” with 85% accuracy through partner and entire class activities.
The students will also write the solfege of the melody line of  “The Cloths of Heaven” with 85% accuracy through a solfege melody worksheet.
The students will create a rhythmic composition from a text excerpt of “The Cloths of Heaven” with 85% accuracy.
The students will clap difficult rhythmic passages with 80% accuracy to themselves and neighbors.
The students will identify the different sections of the piece through its general form.
The students will successfully sing the rhythm and notes on the B section of the piece with 85% accuracy, especially the meter change in measure 44.
The students will display their personal feelings about the text and discuss how that can be translated into a performance through the whole group.
The students will use this discussion to further use the dynamics and other expressive aspects of the piece in order to benefit the making of music.

 

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