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Source:
Michael McNamara, 785-532-1117, mmc0255@k-state.edu
News release prepared by: Diane Potts, 785-532-1090, potts@k-state.edu
Thursday,
November 9, 2006
K-STATE
PROFESSOR'S EXHIBIT OF WORK BY ITALIAN ARCHITECT ON DISPLAY AT SEATON
GALLERY UNTIL DEC. 1
MANHATTAN
-- An exhibit exploring the architecture of Italy's public buildings
in the first half of the 20th century is going on display at Kansas
State University's College of Architecture, Planning and Design.
"Angiolo
Mazzoni: Architecture in Motion: Italian Railway and Postal Building
Architecture 1928-1943" will be on exhibit in the Chang Gallery
of Seaton Hall from Monday, Nov. 13, through Friday, Dec. 1. The
gallery is open 8 a.m. to 5 p.m. weekdays; admission is free.
Michael
McNamara, K-State professor of architecture, organized the exhibition.
Angiolo
Mazzoni was an early 20th-century architect who designed more than
100 projects and built more than 40 major public buildings from
1920-1946. Trained in architecture and engineering, Mazzoni had
a long and distinguished career as a public architect. In 1920,
he entered in the service of the Italian national railway as an
intern engineer and rose through the ranks to become the chief engineer/architect
of the consolidated state railroad and postal service in 1938.
Among
his influences were Russian Constructivism, the Dutch modernists,
Eric Mendelsohn and Frank Lloyd Wright.
Mazzoni
is distinguished from other early modern Italian architects in his
alignment with post-war Futurism. During the 1930s he wrote articles
on Futurism and co-wrote the "Futurist Manifesto of Air Architecture"
with F. T. Marinetti and M. Somenzi. Like Frank Lloyd Wright and
many early European modernists, Mazzoni often designed a wide range
of interior details and furniture, including the light fixtures,
tables and chairs found in his passenger stations.
The
exhibit is supported by two grants from the Graham Foundation and
smaller grants from the K-State University Small Research Grant
program and the College of Architecture, Planning and Design. It
includes basswood models of Mazzonis seminal projects and
display panels with drawings, text and photographs. McNamara collaborated
with a number of K-State architecture graduates to realize the model
construction.
The
exhibit has been shown in numerous venues, including K-State's Marianna
Kistler Beach Museum of Art. McNamara has been an invited lecturer
on the topic across the United States and in Europe.
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