ENGL 635 "London in Contemporary British Literature"

Spring 2017 ~ T, 7:05 p.m.

Schedule of Classes | Web Resources | Message Board

Class Discussion Schedule | Continuities Schedule

Professor Karin Westman
108B English/ Counseling Services; 532-2171
Office Hours: M, W 9:00-10:00 a.m. and by app't
westmank@ksu.edu

 

Required Texts
Andrea Levy, Small Island (2003) (Picador)
Colin MacInnes, Absolute Beginners (1958) from The London Novels (Alison and Busby)
A.S. Byatt, Babel Tower (1996) (Vintage)
Neil Gaiman, Neverwhere (1996) (William Morrow)
Caryl Churchill, Cloud Nine (1978) (TCG)
Jeanette Winterson, Sexing the Cherry (1989) (Vintage)
Zadie Smith, White Teeth (2000) (Knopf)
Monica Ali, Brick Lane (2003) (Scribner)
Mark Haddon, The Curious Incident of the Dog in the Night-time (2003) (Vintage)
J. K Rowling, Harry Potter and the Prisoner of Azkaban (2000) (Scholastic)
Peter Ackroyd, London: The Biography (2000) (Anchor)
Film/online: Bend It Like Beckham (2002); The Prisoner (ITV, 1967-8); Sherlock (2010)
Class Pack for ENGL 635 (Available online via Canvas K-State Online)
Additional critical readings, videos (Available online)

Course Description
The city of London has been a center for art and commerce for centuries. It has also been a city of immigrants, especially with the arrival in 1948 of the Empire Windrush. Traveling from the far reaches of a fading Empire, this ship's passengers hoped for a better life in the mother country but arrived in a city whose doors were often closed to people of color, a city ravaged by the bombs of World War II. What kind of London emerged from the rubble of war? What kinds of lives did these new immigrants build? How did existing Londoners respond? What is the legacy of this immigration in contemporary British culture? During the next few months, we will explore answers to these questions as we study the culture of post-WWII Britain through its literature.


Course Objectives

Readings and Class Participation: Given the course objectives and learning outcomes stated above, this class will foreground discussion. Class participation is therefore expected and will count for 20% of your final grade. This portion of your grade includes your contributions to our discussions in class (in large and small groups) and to our discussions on the online message board (further information below). To participate, you must complete the reading assigned for each class session, think carefully about what you have read, and come to class ready to share your ideas. Excessive absences from our weekly meeting (three or more) may result in failure of the course.

Attendance: Your attendance is important, but I recognize that the unexpected will happen. Therefore, you will not be penalized for your first absence. However, subsequent absences will lower your final course grade; excessive absences (three or more) or excessive lateness/early departure may result in failure of the course. While I appreciate your offering explanations for your absence, the only way to excuse an absence is to provide me with an official letter from your dean or advisor or an official notice of illness from the Health Center or your doctor. If you are absent, it is your responsibility to find out from another class member any announcements or assignments.

Class Discussion Questions / "Continuities": As part of the class participation grade, students will complete two scheduled contributions.

Students will sign up in pairs to initiate discussion for one of our class sessions. Questions for class discussion (4-5 in number) should highlight issues or themes or queries you think we should address in our class discussion of the reading assigned for that day. After conferring about and drafting the questions, the pair leading discussion should email me their questions by 7 p.m. the night before; I will confirm receipt and offer any suggestions for the order or focus of the questions.

The first evening of class, students will draw a reading selection from Peter Ackroyd's London: The Biography; this reading selection should be incorporated into our discussions for the designated class period through two venues: an additional posting to the online message board and a brief (5 minute) contribution to discussion in class. For both contributions, you should reflect on connections between the historical and cultural information about London that Ackroyd provides and our assigned reading for that week.

Online Message Board: To offer another venue for discussion, we'll be using an online message board in Canvas (K-State Online). Each week, each student is required to post at least one paragraph-length comment about the materials we’re reading and discussing in class. I will read these discussions and assess a grade (at the end of the semester) based on the thoughtfulness of your comments, their ability to foster discussion among your classmates, and their responsiveness both to our readings and to your classmates' comments in class and on the board. I'll provide some weekly question prompts as I follow these conversations, and I may also participate in the discussion, but I see the message board primarily as a way for you to raise issues we haven't addressed – or addressed fully or to your satisfaction – during our regular class meetings. The work contributed to the message board can become source material for more formal writing assignments..

The weekly message board will run from Saturday to Friday, to encourage you to post right after as well as before our weekly class discussions, but I encourage you to contribute your ideas throughout the week and to check the board for others' postings. Your postings do not need to be long, but they do need to be substantive: they must be long enough to convey clearly the problem you are taking up and your point of view, connecting your comment to others' comments whenever possible. I will offer models of successful comments early in the semester..

To post to the message board, follow these directions:

1. Go to my homepage at http://www.ksu.edu/english/westmank/ and click on our course (ENGL 635), and then “Message Board” to login to K-State Online Canvas and go directly to “Discussions.” (You may also login to the Canvas course page for ENGL 635 and click on “Discussions.”)
2. You should see all the messages posted to date and the newest threads first.
3. To post, choose to “reply,” so you can engage directly in the conversation and your message can “thread” beneath the one you’re responding to. Feel free to create a subject line that reflects the content of your contribution.


 
Papers and Response Papers: All students will write one shorter paper (4 pages in length); undergraduates will also write a longer paper (7-8 pages in length), while graduate students will also write a longer paper with secondary sources (8-10 pages in length), an abstract of that paper, and an essay review of four articles about one of our authors on the syllabus. You will have a choice of two topics for Paper #1, and you will have a choice of text for Paper #2. Both papers should follow the general rules of composition and be typed or word-processed with standard double-spacing, 1-inch margins, and either 11- or 12-point typeface. Title pages and cover sheets are unnecessary. Pages should be numbered, stapled together, and spell-checked. Papers are due by the date and time on the syllabus; late papers will be penalized one grade (i.e.: A to B) for each day late. (Note: The University's Honor Code obliges you to cite the source of any idea that is not your own. Otherwise, you have plagiarized. If you do plagiarize, you will fail this course.)

You will also write four response papers (2 pp in length) in response to our readings. Response papers are designed to ready you for class discussion and to explore ideas you could develop further in your longer paper. They are due the day indicated on the syllabus. In your response paper, you should not repeat previous class discussions or provide a mere summary of the reading. Instead, your response should begin to analyze the primary and secondary reading assigned for that class session, selecting an issue or theme or question you feel to be significant. I recommend that you select a word, phrase, or short quotation from the reading to initiate your response. (See sample response distributed in class.) Responses will be graded on a 1-5 scale: 5=A, 4=B, 3=C, 2=D, 1=F. I do not accept late response papers.

 
Multi-Media Project: You will choose one of four possible multi-media projects to complete during the semester. Your multi-media project can be submitted on any class day but must be turned in no later than Tuesday April 25. Each project should demonstrate insight and understanding of the text with which it connects, should be thoughtfully constructed, and should be presented professionally with attention to detail.  Refer to the grading rubrics (posted in Canvas as of January 25) for detailed grading criteria. The assignment will be distributed the second week of class, but here are brief descriptions:

 
Examination: You will have a cumulative final exam.

 
Online and video resources: Along with some required viewing (see the films/TV listed under "Required Texts") and required online reading, I will refer you to resources available online or on video to complement our readings and discussions. Links within the online "Schedule of Classes" will take you to related online resources, and a "Web Resources" link from our course homepage will take you to a page of links devoted to our selected authors, their work, and the city of London. I will add and update these resources as the semester progresses; if you locate a site or page which you find valuable, please let me know, and I'll consider adding it to the existing links.
 

Email: I highly recommend email as a way of touching base with me about your work for the class -- a kind of virtual office hours. You can send me queries about reading or writing assignments, your thesis statement for an essay, or anything else that could be handled with a quick exchange of messages. I check my email throughout the day, but please remember that I am not perpetually online.

Conferences: I want you to succeed in this course, and I am happy to meet with you about your work and your progress. I encourage you to see me before exams or papers are due, or if you have questions about material we discuss in class. Please feel free to stop by during office hours (M, W 9:00-10:00 a.m.), or contact me by phone or email to arrange a more convenient time to meet.

Note: If you have any condition such as a physical or learning disability that will make it difficult for you to carry out the work as I have outlined it or which will require academic accommodations, please notify me in the first two days of the course. Any student with a disability who needs a classroom accommodation, access to technology, assistance during an emergency evacuation, or other assistance in this course should contact the Student Access Center (formerly Disability Support Services) and/or me. The SAC serves students with a wide range of disabilities including, but not limited to, physical disabilities, sensory impairments, learning disabilities, attention deficit disorder, depression, and anxiety.

Academic Honesty: Kansas State University has an Honor System based on personal integrity, which is presumed to be sufficient assurance that, in academic matters, one’s work is performed honestly and without unauthorized assistance. Undergraduate and graduate students, by registration, acknowledge the jurisdiction of the Honor System. The policies and procedures of the Honor System apply to all full and part-time students enrolled in undergraduate and graduate courses on-campus, off-campus, and via distance learning. The honor system website can be reached <http://www.k-state.edu/honor/>. A component vital to the Honor System is the inclusion of the Honor Pledge which applies to all assignments, examinations, or other course work undertaken by students. The Honor Pledge is implied, whether or not it is stated: "On my honor, as a student, I have neither given nor received unauthorized aid on this academic work." If you have any questions about your work in relation to the Honor System, please ask.

Expectations for Student Conduct: All student activities in the University, including this course, are governed by the Student Judicial Conduct Code as outlined in the Student Governing Association By Laws, Article VI, Section 3, number 2. Students who engage in behavior that disrupts the learning environment may be asked to leave the class.

 
Statement of Copyright: Copyright 2017 as to this syllabus and all course materials and lectures. During this course students are prohibited from selling notes to or being paid for taking notes by any person or commercial firm without the express written permission of the professor teaching this course. In addition, students in this class are not authorized to provide class notes or other class-related materials to any other person or entity, other than sharing them directly with another student taking the class for purposes of studying, without prior written permission from the professor teaching this course.
 

Grading:
Undergraduate Students: The two papers will count for 35% of your final grade (15% and 20% respectively); the response papers will count for 15% of your final grade; the multi-media project will count for 10% of your final grade. Class participation (20%) and a final exam (20%) complete the requirements.

Graduate Students: The shorter paper will count for 10%, the essay review will count for 10%, and the longer paper and its abstract will count for 20% of your final grade. The response papers will count for 15% of your final grade, and the multi-media project will count for 10% of your final grade. Class participation (20%) and a final exam (15%) complete the requirements.



Schedule of Classes (Subject to change.)

Note: All assigned reading should be completed by the date listed.
[CP] = Online Class Pack. Continuities = Ackroyd's London: The Biography

London: An Introduction
January 17 McLeod, from Postcolonial London (1-9); Bennett, "Colonisation in Reverse" (1966); Soyinka, "Telephone Conversation" (1960) [readings distributed as xerox in class]

Inside/Outside: 1948 and All That
  24 Levy, Small Island (2003) (1-278)
Historical background: Morley and Robbins, "Chronology" (504-510); Phillips, from A New World Order (241-46, 264-282); Phillips and Phillips, from Windrush (26-103) [CP]
Response Paper #1 due (2 pages) on Levy
Continuities: "Blitz," "Refashioning the City" (720-750)
  31 • Levy, Small Island (281-438)
Selected reviews for Levy's Small Island [CP]
Leading Discussion: Levy, Small Island
• Selvon, from Ways of Sunlight (1957) (125-138; 161-166; 175-188); Ball, “Immigration and Postwar London Literature” (222-40); McLeod, from Postcolonial London (1-40) [CP]
February 7 MacInnes, Absolute Beginners (1958)
McLeod, from Postcolonial London (40-58); Phillips and Phillips, from Windrush (158-180) [CP]
Continuities: "London as Crowd" (383-402), "London's Radicals," "Violent London" (455-490)

History Repeating?: Rebellion, Isolation, Integration
14 Byatt, Babel Tower (1996) (3-369)
Response Paper #2 due (2 pages) on Byatt
Continuities: "From Prehistory to 1066," "The Early Middle Ages" (5-64)
Continuities: "London Contrasts," "The Late Medieval City," "Onward and Upward," "Trading Streets and Trading Parishes," "A London Neighborhood" (65-134)
  21 Byatt, Babel Tower (370-622)
Selected reviews for Byatt's Babel Tower; Alfer, "Realism and Its Discontents: The Virgin in the Garden and Still Life" (47-59) [CP]
Leading Discussion: Byatt, Babel Tower
Continuities: "Crime and Punishment" (237-295)
Continuities: "Voracious London" (297-382)
  F 24 Paper #1 due (4 pages) to my mailbox in ECS 119 by 5 p.m. M.L.A. documentation format.
  Su 26 Viewing of The Prisoner
28

London on TV: The Prisoner (optional: EastEnders, Little Britain); critical reading on The Prisoner [CP]
• Gaiman, Neverwhere (1996)
March 7 Churchill, Cloud 9 (1978)
Selected reviews for Churchill's Cloud 9 [CP]
Continuities: "London as Theatre"(134-189)
  14 Winterson, Sexing the Cherry (1989)
Selected reviews for Winterson's Sexing the Cherry; Winterson, from Art Objects (26-44); "Interview with Jeanette Winterson" (11-29); Wasserstrom, "Are You Now or Have You Ever Been ... Postmodern?"; Hutcheon, from The Politics of Postmodernism (1-7, 47-54, 71-78) [CP]
Response Paper #3 due (2 pages) on Winterson
Leading Discussion: Winterson, Sexing the Cherry
Continuities: "Pestilence and Flame," "After the Fire" (191-236), "Black Magic, White Magic" (491-507)
Continuities: "A Fever of Building," "London's Rivers," "Under the Ground" (510-560)
21 No Class -- Spring Break

Escaping the Past, Imagining the Future
   
  28 Smith, White Teeth (2000) (1-256)
Continuities: "The Centre of Empire," "After the Great War" (685-720)
April 4 Smith, White Teeth (257-448)
Selected reviews for Smith's White Teeth; Head, "Zadie Smith's White Teeth: Multiculturalism for the Millennium" (106-119) [CP]
Response Paper #4 due (2 pages) on Smith
Leading Discussion: Smith, White Teeth
F 7 Essay Review due (4-5 pages) to my mailbox in ECS 119 by 5 p.m. M.L.A. documentation format.
11 Bend it Like Beckham and Sherlock.
M 17 Prospectus (1 p.) for Paper #2 due to my mailbox in ECS 119 by 5 p.m.
  18 Ali, Brick Lane
Selected reviews for Ali's Brick Lane; Phillipson et. al., from Women in Transition (2003) (1-30); Kabeer, from The Power to Choose: Bangladeshi Women and Labour Market Decisions in London and Dhaka (2000) (193-229, 421-431) [CP]
Leading Discussion: Ali, Brick Lane
Continuities: "Victorian Megalopolis" (561-585), "Continuities," "East and South" (647-684)
Continuities: "London's Outcasts," "Women and Children" (587-645)
   
  25 • Haddon, The Curious Incident of the Dog in the Night-time (2000)
Selected reviews for Haddon's The Curious Incident..., Haddon, "B is for Best Seller," and Donnelly, "Paperback Writer" [online]
Leading Discussion: Haddon, The Curious Incident...
• Selected poems: John Agard, "Windrush Welcome" (1998), "Uncle Mo Steps Out" (1998), "Remember the Ship" (1998); and Benjamin Zephaniah, "What Stephen Lawrence Has Taught Us" (1998); Childs, from The Twentieth Century in Poetry (180-204) [CP]
• Draft thesis claim for Paper #2
Continuities: "The Natural History of London," "Night and Day" (403-453), "Cockney Visionaries" (751-760)
  M 1 Paper #2 (and abstract) due to my mailbox in ECS 119 by 5 p.m. M.L.A. documentation format.
  2 • Rowling, Harry Potter and the Prisoner of Azkaban
Recommended reading: Westman, "Spectres of Thatcherism: Contemporary British Culture in J.K. Rowling's Harry Potter Series" (305-328) [CP]
• Selected poems: Fleur Adcock, "Immigrant" (1979) and "Instead of an Interview" (1979); Jackie Kay, "In My Country" (1993); Moniza Alvi, "Arrival 1946"(1993); Merle Collins, "Visiting Yorkshire -- Again" (1992) and "When Britain Had Its GREAT" (1992) [CP]
• Coda: McLeod, from Postcolonial London (189-194); Phillips, from A New World Order (303-309) [CP]
  9 Final Exam (IDs & essay): 6:20-8:10 p.m.
   
   

  

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Email: westmank@ksu.edu
Last updated 13 January 2017