Annual Bibliography of
Literary Criticism on Don DeLillo, 2007
Compiled by Karim Daanoune and Philip Nel.
Last revised 12 August 2012.
Batt, Noëlle. “La capture des forces dans le plan de composition esthétique: The Body Artist de Don DeLillo”. Théorie – Littérature – Enseignement 24. Forces-figures: faire sentir les forces insensibles. Ed. Noëlle Batt. Saint Denis: Presses Universitaires de Vincennes, Université Paris 8, 2007. 129–161.
Boyagoda, Randy. "Digital conversion experiences in Don DeLillo's Cosmopolis." Studies in American Culture 30:1 (2007): 11–26.
Chang, Chi-Ming. "Death as the other in Don DeLillo's White Noise: From the sensibly immediate to the technologically mediated." Tamkang Review 37:3 (2007): 145–175.
Halldorson, Stephanie S. The Hero in Contemporary American Fiction: The Works of Saul Bellow and Don DeLillo. New York: Palgrave Macmillan, 2007.
Hannemann, Dennis. “Global City Turns Local Street Theater: The Dynamics of Character and Setting in Don DeLillo’s Cosmopolis.” Territorial Terrors: Contested Spaces in Colonial and Postcolonial Writing. Ed. Gerhard Stilz. Würzburg: Königshausen & Neumann, 2007. 295-310.
Kavadlo, Jesse. "The Terms of the Contract: Rock and Roll and the Narrative of Self-Destruction in Don DeLillo, Neal Pollack, and Kurt Cobain." Studies in Popular Culture 30.1 (Fall 2007): 87-104.
Kolbuszewska, Zofia. The Purloined child: American Identity and Representations of Childhood in American Literature 1851-2000. Lublin: Wydawnictwo KUL, 2007. 170–184.
Longmuir, Anne. "Genre and Gender in Don DeLillo's Players and Running Dog." Journal of Narrative Theory 37.1 (2007): 128-45.
---. "Performing the Body in Don DeLillo's The Body Artist." Modern Fiction Studies 53.3 (2007): 528-543. <http://muse.jhu.edu/journals/modern_fiction_studies/v053/53.3longmuir.html>. (Available to subscribers of Project Muse.)
Martín-Salván, Paula. "'The Writer at the Far Margin': The Rhetorics of Artistic Ethics in Don DeLillo's Novels." EJAS: European Journal of American Studies 2007. <http://ejas.revues.org/document1147.html>.
Martucci, Elise. The Environmental Unconscious in the Fiction of Don DeLillo. London: Routledge, 2007.
McCann, Sean. "Training and Vision: Roth, DeLillo, Banks, Peck, and the Postmodern Aesthetics of Vocation." Twentieth Century Literature 53:3. After Postmodernism: Form and History in Contemporary American Fiction (Fall 2007): 298–326.
Mieszkowski, Sylvia. “Disturbing Noises - Haunting Sounds: Don DeLillo's The Body Artist.” Thamyris/Intersecting Place, Sex and Race 18. Sonic Interventions. Eds Sylvia Mieszkowski, Joy Smith, Marijke de Valck. Amsterdam: Rodopoi, 2007.119–145.
Mutter, Matthew. "‘Things That Happen and What We Say about Them’: Speaking the Ordinary in DeLillo's The Names.” Twentieth Century Literature 53:4 (Winter 2007): 488–517.
Noon, David. “The triumph of death: National security and imperial erasures in Don DeLillo's Underworld.” Canadian Review of American Studies 37:1 (2007): 83–110.
Thurschwell, Adam. "Writing and Terror: Don DeLillo on the Task of Literature After 9/11," Law & Literature 19.2 (Summer 2007): 277-302.
Valentino, Russell Scott. "From virtue to virtual: DeLillo's Cosmopolis and the corruption of the absent body." Modern Fiction Studies 53:1 (2007): 140–62.
Weekes, Karen. “Consuming and Dying: Meaning and the marketplace in DeLillo’s White Noise.” Literature Interpretation Theory 18:4 (Oct-Dec 2007): 285–302.
Zubeck, Jacqueline A. "'The Surge and Pelt of Daily Life': Rediscovery of the Prosaic in Don DeLillo's The Names." Literature, Interpretation, Theory 18.4 (Oct.-Dec. 2007): 353-376.
This page is a work in progress. Any other
already-published works to add? Please send the
full citation to Philip
Nel, who will first verify it and then
add it to the bibliography. Thank you.