Philip Nel > Courses > English 545: Literature for Adolescents (Spring 2009)
This class is designed to introduce you to a range of literature for adolescents, and to develop your critical skills in reading literary and cultural works. We will study works that feature adolescent characters, depict experiences familiar to adolescents, and are taught to or read by adolescents. We will approach these works from a variety of critical perspectives (including formalist, psychoanalytic, queer theory, feminist, Marxist, historical, postcolonial, ecological) -- perspectives that many high schools want their teachers to know. In summary, this course will be about different kinds of literature read by young adults, approaches to thinking about this literature, and adolescence's relationship to power. As such, the course will be useful both to future teachers and to students fulfilling the General Education requirement.
In this class, education will not be a passive experience: I expect discussion, debate, and exchanges of ideas. This requires that you not only be present but that you be an active presence.
Requirements: Papers | Quizzes | Class Participation and Attendance | Technology | Message Board | Assignments
Quizzes: Approximately 12 times during the semester, there will be a quiz. Sometimes the quiz will be announced, and sometimes it won't. But the quiz will always address the reading for that day. Because everyone can have a bad day, I will drop the lowest quiz grade.
Message Board: Post comments to the message board once a week (or more frequently, if you wish). An average posting should run one or two paragraphs in length. In other words, your postings do not need to be long, but they must be substantive -- long enough to convey clearly the problem you are taking up and your point of view, connecting your comment to others' comments, as appropriate. I will monitor these discussions and asses a grade (at the end of the semester) based on the thoughtfulness of your comments, their ability to foster discussion among your classmates, and their responsiveness to both our readings and to your classmates in comments on the message board. Though extra postings to the message board will not automatically replace participation in class discussions, regular contributions above and beyond your weekly posting can improve your class participation grade.
Access the message board via K-State On-Line.
Email: My email address is email@example.com. Please use the subject line. Due to the increased volume of spam, messages without clear subject lines will be deleated unread. You can write with questions, send a thesis statement or outline for an essay, make an appointment to meet me in my office, or do anything else that could be handled with a quick exchange of messages. I check email several times daily, but I am not on-line at all times.
[W] = Web. [CP] = Class Pack. [R] = On Reserve (at Hale Library).
Note: "through" means "to the end of" (not "up to"). Page numbers refer to the editions assigned.
Introduction: Some Traditions of Adolescence
|M 19||Martin Luther King Day. No class.|
|W 21||Robert Cormier, The Chocolate War (1974), through Ch. 23 (p. 160).|
|F 23||Cormier, The Chocolate War (1974), to end.|
|M 26||Salinger, The Catcher in the Rye (1951), through Ch. 16 (p. 122).|
|W 28||Salinger, The Catcher in the Rye (1951), to end. Peggy McIntosh, "White Privilege and Male Privilege: A Personal Account of Coming to See Correspondences Through Work in Women's Studies" [CP].|
Beauty and the Beast: Realism, Fairy Tales, Magical Realism
|F 30||Laurie Halse Anderson, Speak (1999), through "Third Marking Period" (p. 137).|
|February||M 2||Anderson, Speak, to end.|
|W 4||Anderson, Speak.|
|F 6||four versions of "Beauty and the Beast" (18th and 19th centuries) [CP]|
|M 9||Francesca Lia Block, Weetzie Bat (1989).|
|W 11||Block, Weetzie Bat; Sara Ryan, Empress of the World (2001), through p. 102.|
|F 13||Ryan, Empress of the World, to end.|
|M 16||Ryan, Empress of the World.|
And Here My Troubles Began: History, Poetry, and the Graphic Novel
|W 18||Karen Hesse, Out of the Dust (1997), through "Dreams" (p. 128). Slide show: Photos from the 1930s (to be shown in class).|
|F 20||Hesse, Out of the Dust, to end.|
|M 23||Christopher Paul Curtis, Bud Not Buddy (1999), through p. 115.|
|W 25||Curtis, Bud Not Buddy, to end.|
|F 27||Curtis, Bud Not Buddy; Art Spiegelman, Maus I: My Father Bleeds History (1986), through Chapter 4.|
|March||M 2||Art Spiegelman, Maus I: My Father Bleeds History (1986).|
|W 4||Spiegelman, Maus I; Spiegelman, Maus II: And Here My Troubles Began (1991).|
|F 6||Spiegelman, Maus II: And Here My Troubles Began (1991).|
|M 9||Midterm Exam.|
Narrative and Identity
|W 11||Gene Luen Yang, American Born Chinese (2006), through p. 130.|
|F 13||Yang, American Born Chinese, through end.|
|M 23||Walter Dean Myers, Monster (1999), through p. 136.|
|W 25||Myers, Monster, to end.|
|F 27||Myers, Monster.|
|M 30||Marjane Satrapi, Persepolis (2003), through "The F-14s" (p. 86).|
|April||W 1||Satrapi, Persepolis, to end.|
Coming of Age
|F 3||Meg Rosoff, How I Live Now (2004), through Ch. 19 (p. 97).|
|M 6||Rosoff, How I Live Now.|
|W 8||Robert Lipsyte, One Fat Summer (1977), through Ch. 12 (p. 137).|
|F 10||Lipsyte, One Fat Summer, to end.|
|M 13||Rebel Without a Cause (1955), directed by Nicholas Ray. [Shown in class]|
|W 15||Rebel Without a Cause.|
|F 17||Rebel Without a Cause.|
|M 20||Benjamin Alire Sáenz, Sammy and Juliana in Hollywood (2004), through Chapter 11 (p. 137).|
|W 22||Sáenz, Sammy and Juliana in Hollywood, through Chapter 18 (p. 239).|
|F 24||Sáenz, Sammy and Juliana in Hollywood, to end.|
|M 27||Sáenz, Sammy and Juliana in Hollywood.|
Faith and Fantasy
|W 29||Philip Pullman, The Golden Compass (1995), through Part One.|
|May||F 1||Pullman, The Golden Compass, through Part Two.|
|M 4||Pullman, The Golden Compass, through Part Two. Paper Due.|
|W 6||Pullman, The Golden Compass, to end.|
|F 8||Conclusion and Review.|
|R 14||Final Exam, Section B (the 1:30 section), 11:50 am-1:40 pm.|
|F 15||Final Exam, Section A (the 12:30 section), 4:10-6:00 pm.|